vault backup: 2024-04-29 13:31:14
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| Piece | Place | Artist | Medium | Stuff |
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| ------------------------------------------------ | ----------------------------- | --------------- | --------------------------------- | ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
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| ------------------------------------------------ | ----------------------------- | ------------------------------------ | --------------------------------- | ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
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| Snake Goddess | Ancient Greece: Menoan | Unknown | Faience | Hierarchy of Scale; Exposed breasts - power<br>victory pose<br>rosettes<br>sideways dress - otherworldly<br>We don't know much about this work |
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| Doryphoros (Spear Bearer) or *Canon* | Classical Greece: Classical | Polykleitos | Marble copy after bronze original | Called Canon because it's the standard of beauty for sculptures<br>Used golden ratio<br>Polykleitos was in the cult of pythagoreans<br>Contraposto - counter posture<br>Well preserved because of Pompeii<br> |
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| Treasury Of Atreus | Ancient Greece: Helladic | Unknown | Limestone | Largest dome for over 1000 years<br>Largest monolithic lintel<br>Ashlar masonry and cyclopic masonry<br>Thought to be Atreus, he abdicated (possibly a tomb)<br>post and lintel and corbelled arch<br> |
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| Bull-leaping, from the palace at Knossos | Ancient Greece: Menoan | Unknown | Fresco | Different people with different colors<br>Elongation of bull shows motion<br>Aquatic pattern on border<br>Connection to sea |
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| Pont-du-Gard | Rome: Republic | Unknown | Shelly Limestone | Arches create space<br>Aquaduct helped city<br>columns aligned vertically<br>Ashlar Masonry<br>Used as major bridge<br>Use of Roman arch |
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| Dying Gaul | Classical Greece: Hellenistic | Epigonos | Marble copy after bronze original | Representational hair<br>Objects on ground give sense of place<br>Shows blood and sweat<br>Doesn't portray a greek man (less jacked, less hot), shows a frenchman<br>Choker shows he's a gaul<br>Defeat: Broken sword, no attempt to call for help (horn), sitting on shield |
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| Aphrodite (Venus de Milo) | Classical Greece: Hellenstic | Alexandros of Antioch-on-the-Meander | Marble | Individualized<br>Lot of detail compared to aphrodite of knidos<br>Dry drapery<br>Contrasting textures<br>Contraposto<br>Has musculature and feminine form<br>More intimate, sensual |
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| Arch of Titus | Rome: Empire | Titus | Concrete faced with marble | Commemorates when Rome defeats jerusalem<br> |
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| Term | Definition |
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| ---------------- | ---------------------------------------------------------------------------------------------------- |
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| Ionic | Feminine, slender |
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| Corinthian | Fancy top, planty shape around the base of the top |
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| Contraposto | The Italian word for counter posture, natural stance, more weight on one foot, body makes an S shape |
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| Trumphal Arch | Winnign army walks through |
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