From a6409994caa9de185ef8faecd23bbebc57862349 Mon Sep 17 00:00:00 2001 From: zleyyij Date: Tue, 30 Apr 2024 12:47:41 -0600 Subject: [PATCH] vault backup: 2024-04-30 12:47:41 --- education/humanities/Test 2.md | 10 +++++----- 1 file changed, 5 insertions(+), 5 deletions(-) diff --git a/education/humanities/Test 2.md b/education/humanities/Test 2.md index 6978da9..5c71526 100644 --- a/education/humanities/Test 2.md +++ b/education/humanities/Test 2.md @@ -1,15 +1,15 @@ | Piece | Place | Artist | Medium | Stuff | | ------------------------------------------------ | ----------------------------- | ------------------------------------ | --------------------------------- | ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- | -| Snake Goddess | Ancient Greece: Menoan | Unknown | Faience | Hierarchy of Scale; Exposed breasts - power
victory pose
rosettes
sideways dress - otherworldly
We don't know much about this work | -| Doryphoros (Spear Bearer) or *Canon* | Classical Greece: Classical | Polykleitos | Marble copy after bronze original | Called Canon because it's the standard of beauty for sculptures
Used golden ratio
Polykleitos was in the cult of pythagoreans
Contraposto - counter posture
Well preserved because of Pompeii
| | Treasury Of Atreus | Ancient Greece: Helladic | Unknown | Limestone | Largest dome for over 1000 years
Largest monolithic lintel
Ashlar masonry and cyclopic masonry
Thought to be Atreus, he abdicated (possibly a tomb)
post and lintel and corbelled arch
| +| Snake Goddess | Ancient Greece: Minoan | Unknown | Faience | Hierarchy of Scale; Exposed breasts - power
victory pose
rosettes
sideways dress - otherworldly
We don't know much about this work | +| Bull-leaping, from the palace at Knossos | Ancient Greece: Menoan | Unknown | Fresco | Different people with different colors
Elongation of bull shows motion
Aquatic pattern on border
Connection to sea | +| Doryphoros (Spear Bearer) or *Canon* | Classical Greece: Classical | Polykleitos | Marble copy after bronze original | Called Canon because it's the standard of beauty for sculptures
Used golden ratio
Polykleitos was in the cult of pythagoreans
Contraposto - counter posture
Well preserved because of Pompeii
| +| Dying Gaul | Classical Greece: Hellenistic | Epigonos | Marble copy after bronze original | Representational hair
Objects on ground give sense of place
Shows blood and sweat
Doesn't portray a greek man (less jacked, less hot), shows a frenchman
Choker shows he's a gaul
Defeat: Broken sword, no attempt to call for help (horn), sitting on shield | +| Aphrodite (Venus de Milo) | Classical Greece: Hellenstic | Alexandros of Antioch-on-the-Meander | Marble | Individualized
Lot of detail compared to aphrodite of knidos
Dry drapery
Contrasting textures
Contraposto
Has musculature and feminine form
More intimate, sensual | | Nike alighting on a warship (Nike of Samothrace) | Classical Greece: Hellenistic | Unknown | Marble | Rhodes probably had a successful naval victory
Where Nike got it's logo
Wet drapery, would have been in fountain
lot of contrasting texture
Dynamic
| | Portrait of Augustus as General | Rome: Empire | Unknown | Marble Copy, Bronze Original | Three powers (ishtar gate):
- Curass - Military
- Toga - Wealth and political power
- Eros - Supernatural power
Harkening pose: asking for cooperation, contraposto
Idealized proportions
| | The Pantheon | Roman: Empire | Patron: Hadrean | Concrete | First pantheon built out of wood, burned down
Rebuilt out of concrete
Originally built on a hill, now sunk by detrius of time
Monolithic columns from egypt in portico(front porch)
Had rosettes in ceiling squares
Biggest dome in the world
Squares and circles everywhere | -| Bull-leaping, from the palace at Knossos | Ancient Greece: Menoan | Unknown | Fresco | Different people with different colors
Elongation of bull shows motion
Aquatic pattern on border
Connection to sea | | Pont-du-Gard | Rome: Republic | Unknown | Shelly Limestone | Arches create space
Aquaduct helped city
columns aligned vertically
Ashlar Masonry
Used as major bridge
Use of Roman arch | -| Dying Gaul | Classical Greece: Hellenistic | Epigonos | Marble copy after bronze original | Representational hair
Objects on ground give sense of place
Shows blood and sweat
Doesn't portray a greek man (less jacked, less hot), shows a frenchman
Choker shows he's a gaul
Defeat: Broken sword, no attempt to call for help (horn), sitting on shield | -| Aphrodite (Venus de Milo) | Classical Greece: Hellenstic | Alexandros of Antioch-on-the-Meander | Marble | Individualized
Lot of detail compared to aphrodite of knidos
Dry drapery
Contrasting textures
Contraposto
Has musculature and feminine form
More intimate, sensual | | Arch of Titus | Rome: Empire | Patron: Titus | Concrete faced with marble | Commemorates when Rome defeats Jerusalem
Triumphal Arch
Depicts jewish temple being raided, money used to fund colosseum
Original historian was jewish (Josephus) | | Portrait of a Husband and Wife | Rome: Empire | Unknown | Fresco | His skin is darker
Preserved because of Pompeii
She's holding beeswax tablet and stylus
They're flexing literacy
Literacy was only for the rich
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