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| ------------------------------------------------ | ----------------------------- | ------------------------------------ | --------------------------------- | ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- | | ------------------------------------------------ | ----------------------------- | ------------------------------------ | --------------------------------- | ---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- |
| Treasury Of Atreus | Ancient Greece: Helladic | Unknown | Limestone | Largest dome for over 1000 years<br>Largest monolithic lintel<br>Ashlar masonry and cyclopic masonry<br>Thought to be Atreus, he abdicated (possibly a tomb)<br>post and lintel and corbelled arch<br> | | Treasury Of Atreus | Ancient Greece: Helladic | Unknown | Limestone | Largest dome for over 1000 years<br>Largest monolithic lintel<br>Ashlar masonry and cyclopic masonry<br>Thought to be Atreus, he abdicated (possibly a tomb)<br>post and lintel and corbelled arch<br> |
| Snake Goddess | Ancient Greece: Minoan | Unknown | Faience | Hierarchy of Scale; Exposed breasts - power<br>victory pose<br>rosettes<br>sideways dress - otherworldly<br>We don't know much about this work | | Snake Goddess | Ancient Greece: Minoan | Unknown | Faience | Hierarchy of Scale; Exposed breasts - power<br>victory pose<br>rosettes<br>sideways dress - otherworldly<br>We don't know much about this work |
| Bull-leaping, from the palace at Knossos | Ancient Greece: Menoan | Unknown | Fresco | Different people with different colors<br>Elongation of bull shows motion<br>Aquatic pattern on border<br>Connection to sea | | Bull-leaping, from the palace at Knossos | Ancient Greece: Minoan | Unknown | Fresco | Different people with different colors<br>Elongation of bull shows motion<br>Aquatic pattern on border<br>Connection to sea |
| Doryphoros (Spear Bearer) or *Canon* | Classical Greece: Classical | Polykleitos | Marble copy after bronze original | Called Canon because it's the standard of beauty for sculptures<br>Used golden ratio<br>Polykleitos was in the cult of pythagoreans<br>Contraposto - counter posture<br>Well preserved because of Pompeii<br> | | Doryphoros (Spear Bearer) or *Canon* | Classical Greece: Classical | Polykleitos | Marble copy after bronze original | Called Canon because it's the standard of beauty for sculptures<br>Used golden ratio<br>Polykleitos was in the cult of pythagoreans<br>Contraposto - counter posture<br>Well preserved because of Pompeii<br> |
| Dying Gaul | Classical Greece: Hellenistic | Epigonos | Marble copy after bronze original | Representational hair<br>Objects on ground give sense of place<br>Shows blood and sweat<br>Doesn't portray a greek man (less jacked, less hot), shows a frenchman<br>Choker shows he's a gaul<br>Defeat: Broken sword, no attempt to call for help (horn), sitting on shield | | Dying Gaul | Classical Greece: Hellenistic | Epigonos | Marble copy after bronze original | Representational hair<br>Objects on ground give sense of place<br>Shows blood and sweat<br>Doesn't portray a greek man (less jacked, less hot), shows a frenchman<br>Choker shows he's a gaul<br>Defeat: Broken sword, no attempt to call for help (horn), sitting on shield |
| Aphrodite (Venus de Milo) | Classical Greece: Hellenstic | Alexandros of Antioch-on-the-Meander | Marble | Individualized<br>Lot of detail compared to aphrodite of knidos<br>Dry drapery<br>Contrasting textures<br>Contraposto<br>Has musculature and feminine form<br>More intimate, sensual | | Aphrodite (Venus de Milo) | Classical Greece: Hellenstic | Alexandros of Antioch-on-the-Meander | Marble | Individualized<br>Lot of detail compared to aphrodite of knidos<br>Dry drapery<br>Contrasting textures<br>Contraposto<br>Has musculature and feminine form<br>More intimate, sensual |